Netflix Super Badgers Review

All the money in the world

The rise of Anthony and Joe Russo is amazing. Initially, comedy series directorssocial communication) and general comedy (You and I… and Dupree), scale technicians turned construction managers for Disney, and the brothers are about to climb to the top of the Hollywood chain of restaurants. whether Eyeball owners have known for a few years that their association generates aesthetic masterpieces Like a ruptured aorta, their talents as producers have never been found.

Very active on both the big and small screen. Able to play the good fairies of independent creations like Australian remainswhile working on the upcoming live adaptation of Hercules Disney, not forgetting to return to the serial format Night WarriorsAs they show their own films here and there, it’s clear that they both have great flair, along with a certain knack for spreading all around. eBetween Curiosity, Studio Stakhanovism, Reworking Opportunism and Taylorization of Cultural Tropics Fashionable, their professional success is indisputable, not to mention dazzling.

Only for your neurons

distance cherry Seen as a springboard to the Academy Awards, he was greeted by critics and audiences with a mixture of panic and raw hilarity, so Roussos changed gears. They’re back in mainstream entertainment, between the pure action game and the imposed characters of a particular spy cinema, all mixed in with the many cool identities of the big super machines. A strategically related slug that allows some spectators to forget their impending death, unless it causes their brains to instantly fuse.

Gray Man: Photograph by Ryan Goslingjust for your hair


Absent from the screens since 2018, Ryan Gosling isn’t there to cut the pearls, but instead to interrupt the presence of a quantity of interchangeable extras, by tying up supposedly iconic replicas. Not that these things are timeless (to the contrary, Snake Plissken’s character-inspired comedy rehearsal, which revolves around character size is a rare embarrassment), but the actor delivers undeniable energy. more than this The known result of the Drubi killerHere, he enjoys the undeniably cartoonish dimension of his character.

Invincible, but unable to escape his pursuer, able to turn any bitterness into a gum pie on condition that his friend save his ass, The “six” lends itself as much to the muscular first class as it does to the students of pastiche. However, the actor excels on both records, as always an essential reminder nice guys. Therefore, he often manages to pull out of the game, especially thanks to the support of Chris Evans, who is clearly keen to have his image described as a national leek.

Gray Man: Photograph by Ryan GoslingThe man with the golden perm

A customs officer’s incestuous mustache, a carnivorous smile more than unemployment insurance reform, palpable exhilaration in the accomplishment of many transgressions, the bad guy. The opponent who lends the Captain America translator his features is A constant source of bypass, which managed to push some comedic bumps into the story. Everything is written in a way that makes fun of without preaching, so many traditional traits of Hollywood masculinity, stepping aside more than once. Nothing fancy of course, or downright original, but a commitment on the part of the duo of actors that in some places compensates for the invalidity of writing as well as the lack of stakes.

Photo by Chris EvansNever a drinker again

lixu a thousand

Those who primarily aspire to leave their brains in the garage will be able to get some satisfaction from viewing, thanks to the steady rhythm and a clear desire to put most European tourist offices out of business. It’s very simple, and we sometimes wonder if a blockbuster movie is not an excuse to allow initiators to take a short tour of the real estate market in the Schengen area, only to speculate or renovate their second home.

The result : Great variety of places visited, sometimes hilarious, sometimes sadisticbut always immediately, in discovering the spaces in which the characters move.

Photo by Ana de ArmasFashion designers forever

Likewise, the budget, which we think is very convenient, allows the film to have fun like a hyperactive child who has the means at his disposal. Is drone photography a fashion? fast, gray man He completes once one of his heroes holds a fart sauce. The spectator loves bangs? fast, Spending the equivalent of Nevada’s GDP on jet fuel ! Do people have questionable taste when it comes to hair styling? Quick, dye Ryan Gosling blonde! This enthusiasm, rather than slipping into frightening angst, brings the whole thing closer to an innocent, almost cartoonish tone.

Even in his gentle, coarse costumes, but gentle gaudy, gray man Similar to James Bond’s Mongolian, he is a fictional evocation and retreat for his own references. We obviously think of it when Six meets an ally made up anyway, an obvious traitor, whose play becomes a source of instant pleasure. All these pleasures captured individually are very small, but together they allow the feature film to work It expires without causing very serious consequences. Après coup, il semble que ces quelques points plaisants soient à mettre au crédit des compétences de producteurs des frangins Russo, qui confirment ici leur capacité à saisir l’air du temps, s’y conformer et en app identifiers les les é public.

Gray Man: Photo Ryan GoslingHow many hairpieces

beautiful as a truck

Their qualities as directors remain unchanged and the brothers prove once again that division by zero is not impossible. Remember it already in Captain America: The Winter SoldierThey manage to spoil a series of effective choreography thanks to a murky montage of sloppy shots, designed to provoke a spectator perceived as slight dumb. without finding Unwanted movie heights from its former marginsThe brothers once again show their inability to understand the challenges of telling stories through images.

Their use of drones is a prime example of this. A few months ago, Michael Bay pushed them into the middle of the ambulance action scenes, thus introducing never-before-seen visuals and insane motion rules like never before. For Russos, Joker is better off compensating for spatial mismanagement (at the risk of flattening movement), at worstSterile coquette, waved to serve as transmission Once the characters visit a new place. If the whole is crossed with “cool”, sometimes stunning images, then at no time will all this be thought of as a series of items to put together.

Gray Man: Photo Ryan GoslingBoommaker

Each hero is now a potential superhero, so above any form of stakes or threat it is no longer necessary to approach them through the slashes. And so we remain amazed by the flat piece of Vienna, in the middle of the film as well as its promotion. Lots of funny ideas pass before our eyesfrom chasing at the wrong time, bolstered by surrounding reflective surfaces, through motionless shooting when our hero finds himself handcuffed to a seat, to name just a few of these two little finds.

But nothing is contextualized, cut, put into perspective, edited as well as framing, and he never questions the meaning of what is being said. Who are the opponents? How many are they? Why are they constantly dying? We don’t care about steaks. Competent producers and incapable filmmakers, the Russians made a film that looked like them: comfortably inconsistent.

The Gray Man is available on Netflix since July 22, 2022

Gray Man: The Official Poster

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